#a mug with the words 'god has cursed me for my hubris so my work is never finished'

[tothechaos]

there are always a few habits that youll have that youre unsure if they are things you do because youre autistic or if you do them because youre just a little weird (unrelated to the autism)

[itsclydebitches]

RWBY Recaps: Vol. 5 "True Colors"

This is a re-posting from October 4th, 2018 in an effort to get all my recaps fully on tumblr. Thanks!

Guess who’s back, back again

Clyde is back, tell a friend

How long will my focus and work ethic last? Who knows, but with Volume 6 on the horizon and a fantastic new poster out, I’m feeling like it’s time to dive back into RWBY Recaps. Never too late to guiltily dust off an old project, right?

Right.

We’re back in Volume 5. Yes, I did a bit of Volume 1—extreme illusions of grandeur and productivity there—but we should really round out 5 before 6 comes knocking on the 27th. I’ve got almost a month. Let’s see how well I do, starting with “True Colors.”

We open on an image of Qrow and Ozpin together, notably Ozpin given the prim posture and ever-present coffee mug. Qrow makes the comment that things “aren’t looking good” and really? No shit, bird boy. We’ve gone from “Oh no, Ruby is having trouble becoming a leader!” to “Oh no… Weiss is trying to overcome a racist upbringing…?” and are now firmly in the territory of “OH NO a bunch of our faves are dead and Ozpin is forced to possess a child??” Things haven’t looked good for a while.

Ozpin is ever the optimist though. He points out that yeah, things are bad, but they could also be worse. “Humanity is a resilient force” he says, which oddly enough, sounds a lot like the kind of thing someone not a part of Humanity would say. Jury’s still out on whether Oz was the lowly farmer unfairly cursed by the gods, or a god himself justly punished for some sort of hubris… or something else entirely. It just strikes me as significant that he often distances himself from others in not just actions but speech as well. Could be a glimpse into his true nature, aka someone literally not human. Could also just be the result of spending thousands of years reincarnating while everyone else around you suffers and dies. That’ll make anyone feel subhuman…

Qrow challenges Oz’s happy-go-lucky attitude, reminding us that a huge number of pro huntsmen have been murdered and Salem couldn’t have achieved that on her own. She’s had help—and plenty of it. But Ozpin stands firm that it “doesn’t take a great number of people to cause harm” and there are “far more people in this world willing to prevent it.”

Enter our protagonist.

Subtle!

Ruby is adorable, as always, hesitantly approaching the two of them and awkwardly accepting the invitation to chat. It’s a striking difference in how she acts when it’s just her and Qrow, which is expected. Ozpin remains a much more distant authority figure and now he’s inhabiting the body of a boy her own age. I’d be a little unsure about how to act around him too.

Ruby finally asks what we’ve been worried about since the beginning of this Volume: if Cinder defeated Oz then does that mean Salem now has the Beacon relic? Luckily, no. Oz says he made finding the Beacon relic “a bit more challenging than at the other schools.” So Ruby asks the second question that’s been on our minds…

Ozpin: “No, my cane is not a relic.”

Ruby: “I have no more questions :)”

Okay now wait. I'm calling bullshit lol. That cane is 100% a relic. I mean could I be wrong? Absolutely. But it’s way more fun to be confident so I’m calling Ozpin out on this. For a number of reasons:

1. He’s absolutely the kind of guy to do what no one else expects. “The cane is so obvious!” Yeah, which means everyone will be looking for the relic elsewhere, hidden away like the Haven relic. Who the hell would have it out in the open? Ozpin. He would. Expect the unexpected.

2. He’s alsothe kind of guy who might lie to someone about it. Ozpin has been playing this game a long time and he’s not above a few smiles and carefully placed words if he thinks it’ll keep things on track. The Haven relic is the one currently in danger—no reason to announce the Beacon relic’s location and shift the team’s focus just because a former student asks him for the truth. It’s too dangerous and Ozpin is very adept at, as he says, playing things close to the chest. And I don’t blame him. That’s how you keep humanity alive.

3. The scene doesn’t show us Qrow at all who is a lot less adept at lying, to say nothing of the fact that—if he knows about the relic—he wouldn’t feel good lying specifically to Ruby.

4. Ozpin’s previous comment about how this relic is a “bit more challenging” seems significant. That is, why ONLY make the Beacon relic so difficult to find? All the relics are important so why not give them all the same precautions? Well, the answer is simple if your precaution is something you can only do for one of them: keep the relic with you.

5. Qrow, arguably Ozpin’s closest friend (husband-friend), was entrusted with getting the cane back to him and it’s used as the introduction between Oscar and Qrow. Seems like a pretty damn important object.

6. We’ve seen this cane fend off crazy powerful attacks and it never takes any damage. Granted, all the weapons in RWBY are pretty hearty, but Ozpin’s cane seems particularly indestructible. Almost like there’s something similar to magic surrounding it.

7. We’ve still got those gears. That cane transforms into something…

8. The fact that Ozpin immediately homes in on Ruby’s question, quickly counters it, and then tells her to leave (go gather the others). He’s in charge of the conversation here.

9. The fact that the scene suddenly turns light-hearted and humorous. We’re meant to shrug this moment off and not think too hard about it. Well, too late now.

Granted, Oz has a good explanation here. He states firmly that the cane is indeed precious, though only to him, and that it still “has a few tricks up its sleeve.” Nothing he says counters what we already know, yet it doesn’t reveal any of his cane’s secrets either. We’re still in the dark. So until we’re not I remain suspicious about his claim that it’s totally definitely absolutely not a relic.

(The headmaster doth protest too much.)  

(Edit Feb. 2019: I was so wrong, folks!!) 

But we’re moving on. Qrow gets a call from Lionheart asking them to meet up with him to discuss potentially going on the offensive against the bandits. Ruby is ecstatic and runs off. Ozpin? Not so much. He and Qrow both comment on how strange it is that Lionheart has suddenly changed his tune and the addition of some creepy music all but beats us over the head with, “It’s a trap!!” This time when Qrow says that things aren’t looking good Ozpin’s only response is, “I know.” So much for the pep talk.

We cut to Lionheart himself, having just finished up that call, and as we pull back who should we find but Raven. She makes blunt what we already know, “I never expected that you would be the one with the guts to betray Oz” while we get a nice crane shot so that we can see Raven circling him, standing while he’s seated—a predator stalking prey.

Though of course it’s not actually courage driving their actions here. It’s cowardice. At least Lionheart is willing to admit it. He says straight out that he’s terrified of Salem and doesn’t think anyone can beat her, so why not join the winning side? Raven, meanwhile, is still firmly in denial. “I’m not scared,” she says. “I’m smart.” Please, girl. You’ve spent your whole life running and you don’t know how to stop now. “Man up,” Raven continues (god that’s a terrible phrase). “You did what you needed to do to survive. There’s no shame in that,” which is where we see the divide between their morals and everyone else surrounding Team RWBY. They’re scared, but they fight despite their fear because they know it’s necessary to help both others and themselves. Raven is only out for herself and her selfish actions hurt family (Qrow), children (Yang), friends (her tribe), and allies (Ozpin) in the process.

“Who are you trying to convince?” Lionheart asks her. It's great seeing a villain who knows exactly where the line is even as they can’t help but cross it. RIP the complex ones.

We move back to Menagerie where Ilia and the others are still leading the attack on Blake’s family. Kali if BAMF here, snatching up a tray as both defense and weapon when her gun runs out of ammo. We get to see her clocking Yuma before we catch up with Blake and Ilia—and I enjoy the contrast in colors between these two scenes, from full blown battle (cold) to friends-turned-enemies (warm):

Ilia spouts the same arguments as Raven: she doesn’t have a choice about her actions. Violence is the only way to survive. Despite the rhetoric Blake is willing to let her go, but Ilia has other plans. The fight, while not spectacular, does showcase the clear parallels between them—both in their arguments and the use of long/short range weaponry. When asked why she doesn’t leave Blake responds that she runs away too much. Beyond the obvious theme from our title—everyone showing their “True Colors”—the focus of this episode is quite obviously who’s willing to fight for others and who’s only out for themselves; who’s able to distinguish between when a literal fight is necessary and when another avenue can be taken. We see time and time again that Team RWBY is leagues ahead of others in terms of that kind of maturity.

From a world building perspective I appreciate Ilia’s use of her camouflaging skills. It’s rare that we see the Faunus actually using their animal abilities (beyond Sun swinging around on his tail) and that’s definitely a useful one in battle… though it's undermined somewhat by having a weapon that lights up with electricity. Gotta think that one through…

And then Blake sETS THE HOUSE ON FIRE? Damn, girl! This isn’t even a real battle—at least not between the two of them. Ilia says two seconds later that Blake isn’t taking this seriously, neither of them truly wants to kill the other, so is burning down your house really the best option here? I always knew Blake was secretly the most dramatic of the bunch.

(That’s a lie. I'm sorry. The most dramatic is clearly Weiss, but she’d be proud of Blake’s ridiculously over-the-top strategy here, I’m sure.)

Blake manages to pin Ilia and keeps trying to talk her down. It works. Sort of. Ilia starts to cry as she admits that she doesn’t know what else to do, but at that moment Ghira comes crashing through the wall with another fight at his heels. (This family is rich enough that they don't care about the property damage.) And then we get this,

This is a sharp reminder that though Blake and Ilia might be fighting more with words than fists, the same can’t be said for her parents. They are, notably, in very real danger. The fight picks back up with Ilia clearly torn now between her loyalties. She defends herself though when Sun joins the fray, pausing only when Blake begs the two of them to stop. However, their fighting has already cracked the pillar holding up the second story and Ilia gets caught underneath. Surprisingly, she’s saved by Ghira (which tells us more about his character than all his bickering with Sun ever could) and there’s a nifty bit of teamwork used to get him out—Sun’s copies hold up the balcony; Blake uses her weapon to pull her dad to safety. The brother (Fennec) who tries to attack him from behind is justifiably crushed under the rubble.

Kali is safe and joins the gang. The fight is basically over, but Corsac attacks out of pure grief and rage, allowing Ilia to stun him from behind. Now I’ve got a lot of feelings about Ilia, most of which boil down to just plain not liking her. I already explained in depth my issues with her being the (so far) sole queer character on the show and this is now compounded with her supposed “redemption.” There are problems inherent in making the (again, only) queer character an antagonist, but there are more problems in making them an antagonist and then refusing to stand by that. Rooster Teeth had her as a complex villain and then the moment she was revealed to have feelings for Blake it’s, “Never mind! She’s good now!” in the span of half an episode.

And how does this redemption occur? Ilia attacks Blake and goes after Blake’s parents. She continues to attack them after being given numerous chances to walk away. She turns on her allies… only after the fight is won. If Ilia were a different kind of character her stunning Corsac could have easily been seen as a survival strategy rather than a true change of heart. They’re now outnumbered four to two, so—like Lionheart—why not quickly join the winning side? I honestly wish Ilia was out to double cross Blake if only because that would be consistent with her loyalties up until now. It would make sense.

In the grand scheme of things though these are minor points. What strikes me as far more significant is 1. that Ilia and her allies could have killed Kali and Ghira. I admit that she wasn’t fighting Blake full out, but the purpose of this attack was to assassinate her parents and the fight did lead to at least one death. That’s not just something you bounce back from. Maybe I’m an asshole, but I couldn’t wave that away as a “bad decision” like Blake does. They could have died. And 2. the most important of all, we’ve yet to see any true change in her thinking or ideology! Ilia joins the gang because she lost and she's left standing around awkwardly with Blake—the girl she’s in love with. Would Ilia have second-guessed her actions if they'd succeeded in their mission? I doubt it. In the aftermath of failure she's contrite, but Ilia was pretty damn adamant about killing humans---and the Belladonnas---just a few minutes ago. If her redemption is based on circumstance and her one-sided crush… that’s not a redemption I can get behind.

But it’s what we’re rushed into. Blake gives a rousing speech about how no, they can’t just use humans as a scapegoat for this attack. They can’t allow figureheads like Adam to speak for them. She says that they’re all “looking for simple answers to a very complex problem” and that despite it not being what they want to hear, she doesn’t know how to just “make hate go away.” That’s a huge development from the girl who went to Mountain Glenn and said passionately that she was going to change the world, but without any concrete ideas as to how to do that. Now Blake can admit her own ignorance and knows at the very least what not to do. They’re not going to change the world through violence like this—they won’t change it for the better, anyway.  

I’m with her through all that, up until Blake agrees to take Ilia to Haven. The guard yells out, “You’re just going to forgive her? After all she’s done?” and Blake says only, “Yes.” You know what that is? It’s a simple answer to a very complex problem. It’s painted as admirable on her part—Ghira says she’s learned the lesson of how powerful forgiveness can be—but I think this is RWBY’s fairy-tale simplicity shining through and it doesn’t fit with the heavy material we've been tackling the last few volumes. There’s a big difference between forgiving someone and making sure that they face consequences for their actions. There’s a difference between forgiving them and thinking practically about whether you can or should trust them with your safety and the safety of others. Hell, forgiveness usually takes more than five minutes and often times doesn’t happen at all! Ilia has done none of the work to justify Blake’s forgiveness and though having forgiveness handed to you might read as a beautiful ideal, it doesn’t work well in the gritty, complicated, racially loaded storyline that Rooster Teeth keeps trying to pull off. It feels cheap in the face of all that Blake suffered through this volume, especially when they turn Ilia’s actions into a literal joke. She stabbed Sun? No big deal! He pinched her and now they’re even! How much of a joke would this be if Ghira had suddenly collapsed from his own wound? Or Kali hadn't casually rejoining them entirely unharmed? Maybe I’m more bitter than I thought, but Ilia’s redemption feels like an unintended smack in the face.

The townspeople buy into the happy picture though and we get a chorus of them agreeing to join Blake in the fight to defend Haven. Plans are made to arm, train, and transport the people of Menagerie in two weeks time. Getting civilians into fighting shape that quickly might be a challenge, but at least Blake knows a ship captain who owes her a favor.

And that’s where we end this episode—forging a path for the future. Stay tuned for the next episode “The More the Merrier” as we count down to the Volume 6 premiere!

Other Details of Note

In that opening shot we have what looks like a pretty generic print on the wall—who doesn’t like sunsets?—except that it also shows a crescent moon without the broken pieces. Artist’s interpretation? Time before the moon’s demise? Animator’s forgetting about it while drawing the random painting that viewers are only going to see for about two seconds? You decide!

I really appreciate that Ozpin praises Ruby for being the first to realize the potential implications of the Beacon relic. She’s praised for her skill with Crescent Rose and for being one of the youngest to attend Beacon, but it’s rare that people comment on Ruby’s intellect. She’s smart as hell with one of the more strategic minds of the group—that’s partly why she makes such a good leader. It’s good to see someone, particularly her headmaster, acknowledging that.

After Qrow gets the call from Lionheart he immediately reaches for his flask… despite still having a steaming drink beside him. Apparently working with this guy was tough even before they knew he was loyal to Salem.  

Edit Feb. 2019: Lionheart says that “I’ve done things Ozpin will never forgive” and that’s one hell of a loaded line after hearing Ozpin’s thoughts on Lionheart in Volume 6.

“Sorry, Dad” Blake says right before she burns down their library. Somehow I don't think 'sorry' cuts it in this situation...